Time to Write?

Hello fellow writers! Sorry I’ve been so quiet the last few months. I cannot believe we are in November already. I don’t know about you but the sudden dark evenings and freezing weather has been an unwelcome, and overdue, wake up call. We have less than two months left to run  and I’m a million miles behind where I wanted to be. All those promises I made myself at the turn of the year. It’s that time where we dust off the enthusiastically scrawled to do lists from January and wince.

I’ve had an odd year from a writing point of view. My instinct while drafting this post was to write about how much I’d neglected it but I figure 130k in word count counteracts that claim. In fact, given I thought that I had no focus, no plan and pretty much no discipline all year, I’m pretty damn proud of what I’ve managed to achieve. I am hoping by year end, I’ll have another finished novel. Not bad for a year that I am putting fairly and squarely in the “crazy” category.

November is always a bit of a jerk back into reality for my writer’s brain because it brings with it NaNoWriMo and the momentus challenge of writing 50k while juggling a day job, remembering to buy Christmas presents and trying not to freeze to death. It makes me really think, more than anything else, about time management.

I recently went on a Management and Leadership course for my sins (thank you day job). And upon this course, I discovered apparently I’m lousy at delegation, I’ve got lousy people skills and I’m so cynical I probably have a complex but the one thing it turns out I am pretty good at, is time management. It is vital with my day job. If I didn’t have everything planned, scheduled, prioritised and recorded, I would collapse and get nothing done. More than anything, what that course really made me realise is that I am capable of that level of dedication, determination and discipline.

Which got me to thinking, I managed 130k in a year where I wasn’t trying. Imagine what I could be capable of if I applied the same dedication?

And I don’t think this applies to just me. Most writers I meet say the same things. “I never have enough time to write”. “Whenever I plan to write, twenty four other things pop up that need doing.” Admit it, we have all trotted out those familiar excuses. And yet, do you meet your deadlines at work? Do you somehow find the time even when there is none to find and complete the project with seconds to spare? Can you imagine what your boss would say if you told them “sorry I can’t do that today, I don’t have time”? So why do we allow ourselves to do it with our writing?

So I thought I’d scribble a few tips on how I hit the 100k word count in under a year and how we as writers can stop making excuses and find time to write.


Mindset is very important for me. Why am I organised at work? Because I feel like I have to be. If I’m not, I miss my targets, my bosses get annoyed and I get fired. It is simple survival.

The problem with writing, particularly if you are the self published author type like me, is you are pretty much accountable only to yourself. And weirdly, we won’t let down our bosses, our friends, our family or even crazy aunt Sue, but we are perfectly happy to let ourselves down time and time again.

None of anything that follows will work unless we hold ourselves to it. And it is hard. It is the hardest part of being a writer if you ask me. I have been trying to get better at it since I started this path over a decade ago and I’m still fighting my instincts. I find myself telling people that writing is a hobby, waving it away with a sweep of my hand and a “it’s something to fill the time.” From here on out, that stops.

Writing is my second job. It is not an addendum that I squeeze into ten minutes at 2am in the morning. I am committed to making it happen.


Knowing what you want to achieve is usually a pretty good place to start. The thing I’ve learnt with targets is there are two types: there are the inspirational dreams, and the practical goals.

In the inspirational column we have things like “I want to be as successful as JK Rowling” and “I want to retire and live off the money from my books”. Both are do-able (in theory). But both are ideas. They are the final chapter when we’ve only just begun drafting the prologue. And that’s fine. In fact, more than fine.

I need my inspirational DREAMS. It’s what keeps me going. In my own way, they are my version of hope.

They are my long term dreams. On my worst days, I look up at these scribbles and they remind me why I keep going. But dreams are… well… big. It’s kind of the point. But big is intimidating. Big is Oh My God Where Do I Start? So to get to them, we need to break them down into practical goals.

These are the goals that come with an action plan. They are shorter term. And they can be assigned a deadline. If column one is hopes, then column two is the to-do list that goes with. Inspirational is what you want to achieve. Practical is how you plan on doing that. Essentially, your short term goals.

You can break them down even further. So instead of staring the face of a big, scary dream which would put off even the strongest will, instead we end up with a set of bite size tasks that are altogether more manageable.

I write down my dreams once a year. Normally at New Year. They rarely change and regularly grow.

At the beginning of each month (more or less), I write down my goals for the month. I try to keep this short, two or three items at most. And then on a weekly basis, I come up with an action plan, bringing us to…

3. Have a plan

Now you have your goals, organise them into a plan.  The goal here is to break it down into parts small enough that they are manageable and can be practically fitted into our busy lives.

Couple of things I’ve learnt over the years:

  • Be honest – If you know you aren’t a morning person, don’t design a plan that requires you to wake up an hour early to get in 500 words before work.
  • Plan to your strengths – We all know our own writing quirks. I am more productive in a busy environment. I can write by hand but get frustrated if I can’t get my ideas down fast enough so I plan around that. Are you a night owl? Can you write straight out of the gate or do you need twenty minutes prep time?
  • Keep your eye on the target – At one point, I used to stick post it notes on the wall behind my computer with my goals on them. I find when I’m staring at a blank page with a killer headache from trying to force words out, seeing in black and white the reason why I’m torturing myself keeps me motivated.
  • Know what motivates you – Are you a carrot person or a stick person? Do you need cheerleaders or are you a lone wolf? Are you motivated by reaching for future success or are you in this for the joy of creation, or both? Build your plan around this. Simple question to ask yourself – do you think of your progress in your novel in number of words, or in moments? So is it, I want to write 500 words (deadline motivated person) or is it, I really want to finish this scene (creation motivated). Break down your project in a way that suits you. Not everyone is a word count person.
  • Accept things aren’t going to go as planned – Life happens. If you get stressed out every time the unexpected derails your plan, you’ll end up going backwards. Don’t let it deter you. Instead, note whatever was supposed to be achieved and work it into the next week’s plan. For example, I was hide-under-my-duvet sick for most of October. If I dragged 1000 words out in the month that’s a lot. But I’ve re-balanced November to accommodate for the distance I’m now behind.
  • Change it up – Routine is a buzzkiller (unless you are a routine sort of person). Routine means rut. Rut means boredom. Boredom means no more progress.

4. Stick to the Plan (By Any Means NeCESSARY)

Bribe, blackmail, guilt. Reminders. Alerts. Alarms. Whatever works for you. Find the thing that will make you open that manuscript when all you feel like doing is collapsing on the couch and disappearing into the wonderful world of Netflix.

5. Prioritise

At the end of the day, some progress is better than nothing and some weeks are going to be better than others. Know which bits are most important to you so when you need to make a choice, you already know which targets to prioritise.

6. Just Do It

No excuses. No rationales. No procrastinating. Even the best laid plans will only work if we put them into practice. At the end of the day, that’s how I’ve hit my 100k target this year. No matter how uninspired I felt. No matter how tired I was. I just got it done. I should caveat that there are genuine reasons why we can’t write. Sickness, children, work commitments, actually wanting a semblance of a social life to name but a few. This is about not letting the non-reasons creep in. If you hear yourself sprouting one, stop and turn it into a motivation cue to get fingers to keyboard and type.

We’ve all been there but “I don’t want to just write rubbish” is not an excuse. Words, any words, are better than a blank page. Don’t be Henry. Hands up who has written that opening before? I know I have…

Inspirational Women Writers: An Essay

In honour of International Women’s Day this week (March 8th) I’ve decided to do something a little different with this post. I open this with a warning. Very rarely will I use this blog to talk about “politically charged” issues. This is not a post about writing tips or how to best edit your latest draft. Today is a post about being a woman in a male dominated market. It is about being a writer, a female writer. And it is a dedication to the amazing women who have paved the way and keep me inspired to keep going, keep fighting and keep believing that one day my name will grace the spines amongst them.

I am a woman. I am very proud of this fact. I guess I’m a feminist too. I believe in equality. To me, Emma Watson summed up my feelings pretty well in this short clip.

I do not believe in using feminism as a weapon against either other women or men. I simply want the field in which I work to be fair, just and equal.

And I don’t think that is too much to ask for.

I want to be able to wear ribbons in my hair, stiletto heels and perfume and not be judged as weaker for it. But equally I do not believe in getting dressed up in a power suit and becoming “one of the lads”. To me, that is not the point of feminism either. I want to be respected and be feminine.

VIDA is a website dedicated to women in the literary arts. Most people won’t have heard of it. Every year, they conduct a survey called “VIDA Counts” where they look at the representation of women in the arts. They look at statistics like the number of female reviewers at a given magazine, or the percentage of female to male authors reviewed. To pick, Harper’s Magazine, for example, only 34% of book reviewers were female and only 30% of reviewed authors were female in 2015. The London Review of Books, only 22.5% of reviewed authors were female. New York Book Review was more positive. Women actual swing the vote when it comes to writing reviews (albeit marginally) but still trail men in featured reviews (40%). The Times Literary Supplament made for grim reading with only 25% of reviewed books having been written by women. (Please see link for full stats)

But it isn’t all bad news. Firstly, these figures are improving (believe it or not). And second, women are getting noticed. The Guardian released its list of top selling books in 2016. 4 of the top 10 were written by women (JK Rowling, Jojo Moyes x2, Paula Hawkins) and one of the ten was the Guinness Book of World Records, so it’s really 4 to 5 and here’s the best part, JK and Paula are one and two and when you add up the number of books sold, women outsold men at 55% of the sales. And if we are in the mood to be pedantic, the only three “adult fiction” books on the list were written by women. The men counted for children’s fiction and healthy eating.

So what’s my point?

Women are making their mark in the fiction world. I could, for example, talk about how that same top sellers list looks sickeningly like a “usual suspects” list. It was so refreshing to see Paula up there. Someone new. Someone breaking into the club. But that is not a problem exclusive to women and so a rant for another time perhaps. The point is, we are represented and this post is a celebration of that. It is a thank you and an acknowledgement to the amazing female writers out there, past, current and future.

I turn my eye to those who have made it. Who are flying the flag and paving the way for those of us to follow. We each have our own sources of inspiration. On another day, in another post, I could talk to the male writers (equality after all) that have inspired me to be the writer I am today but today, this week, is about women. And these five amazing women have helped light my literary fire.

1. JK Rowling

I imagine this entry is no surprise to any regular reader of my blog. I fangirl over Ms Rowling. A lot. To me, she is amazing. She wrote a series that inspired an entire generation and she did it when she was at her lowest point. She risked everything and took a chance. And it wasn’t a smooth ride. The story of her numerous rejections is now infamous as is the story of how she finally got her deal. A little girl picking up a book about a boy wizard and telling her dad he simply had to publish it.

JK and her universe are the reason I write. My parents bought me Harry Potter and The Philosopher’s Stone when I was seven years old. Before it became anything. Before anyone had heard of it. And I fell in love. With the world. With the characters. But also with the idea of magic. It made me realise the true joy in reading and it made me want to give that joy to others. Within a year, my by-then eight year old self had finished her first fan fiction adventure. It was terrible. But I don’t care. It lit the spark. I still have it. In some ways, it is one of the works I am most proud of even now.

JK has done so much for writers, especially female writers. She has made being an author “cool” again. She is a Cinderella story for us all to aspire to. She is a lesson in perseverance and holding your ground when it matters.

2. Martina Cole

I had the immense pleasure of meeting this amazing author last year. I don’t know what I expected but the woman I met was so amazingly down to Earth and approachable. Here was this multi bestselling author chatting away to me about my (literally a week before) published debut novel. Giggling as we shared stories of writing disasters and sharing our gripes with the writer’s problems we all face. I will never forget her grabbing at my hands and grinning at me in nervous excitement as she waited to be called up onto the stage for interview. I just remember thinking “wow”, she had no airs, no graces and she was all the more charming and worthy of my respect for it. I remember thinking, “I hope I’m like that. If I ever find success in this. I hope I am just like her.”

She is a UK crime fiction giant. If ever there was a man’s world that’s it. She took them on, and she beat them into submission. According to wiki, “she has achieved sales of over fourteen million in the UK alone and her tenth novel, The Know, spent seven weeks on The Sunday Times‘s hardback best-sellers list.” She’s also a massive campaigner for women’s rights in prison.

3. Emily Bronte

She only wrote one book. Just one. And yet her name is a household feature. Wuthering Heights. The beautiful, heartbreaking, deliciously dark and wild love story of Heathcliff and his Catherine. It has spawned more pop songs than I can name (perhaps most famously Kate Bush’s hit of the same name), at least a dozen movie remakes, leaving generations of mothers and daughers arguing who is the best Heathcliff and more than its fair share of retellings. It was a book that shocked and appalled readers and critics alike when it was first released. It defied convention. She defied convention. Some commentators would go so far as to say she was the first female author to dare write about the same passions and powers as the men of the time. She wrote a book in which women were not just damsels. They were strong. They were passionate. They were an equal to their male compatriots.

One book. She did all that. Pretty awe-inspiring if you ask me.

4. Enid Blyton

I know she isn’t without her controversy but I doubt there was a single English kid in my generation who didn’t have at least one of her books on her bookshelf. Beside Harry, these were the books I grew up with. These are the adventures I went on as a kid. And I loved them. She wrote an astonishing amount of books (762 according to wiki!). And she stood strong as a bestselling author in a field that was undeniably male dominated at the time. I agree that her later works had their… issues, about which I won’t say any more but this does not take away from her achievements.

5. Shonda Rhimes

Don’t worry if you have no idea who this is. I used the word “writer” at the top on purpose. Shonda is not a novelist. She writes TV shows. I’ll bet you’ve heard of her headline, ten seasons and counting show “Grey’s Anatomy” or perhaps her more recent “Scandal”. “How To Get Away With Murder” is under her production banner, ShondaLand. Oddly enough, I’m not a huge Grey’s fan. It’s okay if it’s on. It has some nice moments but it doesn’t overwhelm me. I do not include her on this list for my love of her shows. I include her for the impact she’s had on an industry ruled by men. She is one of the women forcing Hollywood to listen. To stand up and tell our stories too. Twenty, even as recently as ten years ago, would a woman have truly believed it possible that a woman would not only be writing and producing these huge productions, but have a production company in her own name behind her.

If that isn’t inspiring, I don’t know what is.


What’s In A Name: Things to Consider When Titling Your Novel

We all know the old adage. “Don’t judge a book by its cover”. And we all know that we are all guilty of doing exactly the opposite. Not just its covers either, but its names too. Think, for a minute, about the process you go through when picking a book off a bookstore shelf. Not when you are looking for a specific novel or specific author but just when you are blind browsing, just looking for something new. Perhaps you have a genre in mind, or maybe a single criteria (e.g. female lead character) but mostly just a want to read. What do you look at?

The cover? Sure. Everyone does. I cannot tell you the amount of rubbish books I’ve been conned into buying just because they were so damn pretty to look at. But it’s not just the aesthetics we consider on the cover. We consider the words too. We are writers after all! We look at the author. Maybe the publisher. But definitely, without a shadow of a doubt, we look at the title.

For me, it is girl’s names. I will, without even thinking about it, categorically avoid any contemporary book with a girl’s name in the title. Odd, particularly given that some of my favourite classics are exactly that – Anna Karenina, Jane Eyre, Emma, Alice in Wonderland – but I will not pick up their modern equivalents.

And sitting here, writing this, I’m thinking how terribly unfair that is of me. I am casting off a whole library of books on the unbased grounds that girl’s name = disappointing reading experience. And yet, even knowing that, I will still avoid them. I can’t help it. It’s instinct.

Where am I going with this you cry?

Titles are important.

In some ways more so even than character names, covers are the power suit but titles are your first verbal contact with your reader. You need both to get the job. They need to make a good first impression.

So no pressure then?

It’s not like the success or failure of the novel you’ve spent the last decade cultivating lays in the balance? Right?

Okay, okay, so I have a flair for the melodramatic but the point remains. Titles are important. So how the hell do we go about deciding them?

Tips for Crafting the Perfect Title

Titles are funny things. In my experience, they always happen one of two ways: instinctive, or like pulling teeth. I’ve never had to name a child but I imagine it is not too dissimilar. Sometimes it’ll be obvious. Known for years or just known in the moment. Never questioned. Never doubted. And sometimes you can spend the entire nine months (or years) musing and wrangling and wordplaying and still have no idea what to choose. And it isn’t an author by author thing, it’s a book by book thing.

Both my current fantasy projects – The Butterfly Children and The Magician’s Apprentice – came to me without a thought. Right at the beginning of the process and have stuck like gum on the bottom of a shoe. But White as Snow, my published novel, must have gone through at least a dozen title variations. And I’m still not happy. Love the series name (In the Mirror, Darkly) but the individual book name still makes me wonder if I could have come up with something better – and it wasn’t something I really realised until after publication.

Whether you are forming your title or testing the one you already have, what follows are a couple of things to just think about:

1. Length

I’d say seven words is my limit. Modern life is fast. People want quick and easy titles. Books are sold on word of mouth. Don’t start yourself at a disadvantage by choosing a title that is such a mouthful people either forget it or just can’t be bothered. I’d say six is the most, most people will bother with (The Girl With The Dragon Tattoo)(The Men Who Stare At Goats). After that, people get a bit fuzzy or start chopping bits off (Goblet of Fire)(Order of the Phoenix).

A quick check of the books on a single random shelf of my bookshelf (mixed genres): 21 books. Average number of words in the title: 2.5 (median was 2 for the record).

2. Focus

The title is the first signpost for the reader. It’s our way as writers of going “this bit. this bit is important.” So what focus do you want to pull in?

Is your focus your lead character? What about them? Their name? (Carrie) Their job? (In my case, The Magician’s Apprentice) Their role in the story? (Sophie’s Choice). In the case of Dracula, the title is used to warn the reader that their principal character isn’t actually the first, second or even third that you meet. It is, in its own way, a builder of suspense. You find yourself turning the page waiting to reach this character you’ve been promised from before page one.

Is it your world? (Jurassic Park) Or a specific setting? (The Night Circus)

Do you want it to give hints as to what the story is about? (The Time Traveller’s Wife – the story about the wife of a time traveller, likely a romance of some kind, certainly science fantasy; The Martian – particularly with dear ole Matt Damon smiling off the cover, once little green men are ruled out, you have a good idea of what you are in for) Or be completely enigmatic? (Death of an Owl)

My personal favourite titles tend to be those that tie to the theme of a book. For me, Wool, is one of the best named novels of all time. It resonates on so many levels. And the best part is, you can’t fully explain this to someone without spoilering the book (see my review if you want my full commentary).

Telling someone the title and asking them what they’d guess it is about is a good way to test this.

3. Genre

Books, given their nature, are oddly formulaic things these days. I always thought I was pretty observant about books but I tell you, nothing sharpens your eye like suddenly having to worry about cover art and titles. Suddenly you find yourself pulling book after book off the shelves, critically assessing every inch of each cover. Colour choices. Image choices. Font choices. And title.

In my young and naive days as a reader prior to really taking my writing seriously, I didn’t really think about titles. I mean, I’d know which ones I liked, which ones I didn’t but I didn’t really think about them. They were just… there. Since choosing indy publishing, they’ve become an obsession. I notice patterns, trends, repeated words.

Each genre has its own character. Though I caveat heavily with these are only trends. These are not rules. I am sure anyone who cares to can come up with a hundred exceptions.

Action/crime novels tend to be the shortest titles. One word, up to a maximum of three. Less likely to start with “the”. I like to think of these titles like firing bullets. Sharp. Noisy. On point. Action words are popular. “Get Even” “Trigger Mortis” “Mayday”. Words like revenge, blood, killer, murder as well as weather pop up quite a lot.

Mysteries and thrillers tend to be more cryptic. Almost vague. “The Girl with the Dragon Tattoo”. “The Girl on the Train”. “The Abortionist’s Daughter”.  Also have a tendency to lead with the word “the” but not always “Flowers in the Attic”

Woman’s fiction tend to have soft titles. Often frivolous. Sometimes sappy. Most likely to use slang or popular phrases. Less likely for word play. Most likely to contain humour.  “Fangirl” “Watermelon”. “PS I Love You”

Fantasy and science fiction are more diverse (as a general rule). It’s easy to get caught into a “box” though. Beware any word puns involving vampires. You will be automatically relegated to that kind of fiction. A lot of titles will reference at least one element that warns the reader of the genre (Hitchhicker’s Guide to the Galaxy) or a reference to the world itself (Neverwhere). And sometimes can get a tad… well pompous (Lord of the Rings)(A Game of Thrones). Oddly, a lot of the titles are actually quite self descriptive as to the plot. Both the above two more or less sum up the various goings on between their covers and Harry Potter tells you right from the outset the key adventure of the year.

Ultimately, ask yourself, does your title “fit” your novel?

4. Sell-ability

It is a sad, but inevitable, truth that at the end of the day, if you want to be a successful writer you have to sell your books and to do that, trust me, you need every advantage going. This is where I fall down. Particularly with titles I’ve fallen in love with, I’ll become stubborn as an ox and just refuse to change them, no matter what the consequences. And that, in my personal opinion, is entirely fine but I have to be prepared and know what consequences I’m invoking.

Things to think about here.

  • Is it easy to spell? JK had to rename the first book for the American audiences (make of that what you will). How many of this generation only know how to spell philosopher because of her? And how many people still call it “the first one” because it’s easier?
  • Has someone already used it? There is no copyright on titles of work (so long as you aren’t using a registered trademark (though please if you are concerned, take legal advice. I am not, in any way shape or form a lawyer and this is only my opinionated ramblings. It should not be taken as advice). The same title can be used over and over again. But that also has its downsides. Firstly, it’s hard to brand something against something else with the same title. People will mix them up. It’s only natural. It is that much harder to create your own individual footprint for your version.
  • For series writers, how are you going to brand? Do you want to be Harry Potter 1, Harry Potter 4? Or do you want Twilight, Breaking Dawn? Pretty sure the Twilight Saga was a series umbrella adopted afterwards for ease. Also, beware of similar titles. Sure, the ever increasingly darkening hues of the 50 Shades series is a lovely progression but honestly, does anyone remember what order they are supposed to come in? Or is that the point? Do you want them to blend into one another?
  • Accidental ghost words? In this world of web domains and hashtags, run your title into one long string and make sure nothing unwanted is spelled accidentally in the middle!

5. Like-ability

Do you like it? Does it feel right?

This is the single most important. You are going to be saying those four, five, six words over and over again. You are going to be hashtagging them, instagramming them, blogging and billboarding them until they are branded on the back of your eyelids. They are going to become your identity for so long as you are promoting that novel. You need a string of words that make you proud. Something that feels right for your work. Does your title give the first impression you want to give?

If it was you, stood in that bookshop, would you pick it up?

7 Tips for Writing Romance Readers Fall In Love With

In honour of Valentine’s Day, I thought I would turn my attention to all things roses and glitter and take a look at romance writing. It is perhaps a sad but inevitable truth of modern literature that it is rare (not unknown, but rare) to see a best-selling novel that does not, at some point, in some way, in some form, involve a romantic storyline. Even crime fiction these days seems to require the mandatory Castle-Beckett relationship.

It means that writing romance needs to be a part of every writer’s arsenal. Whether you are planning to keep it to the periphery (like Harry Potter for example, where the romance story lines had very little impact on the plot) or dead centre (Twilight. 50 Shades of Grey – or for a better example, The Fault In Our Stars) chances are you are going to come up against writing romance.

And you’d think it was easy.

We all know the blueprint – Boy Meets Girl – They fall for each other – They suffer through a series of unfortunate events that keep them apart – They end up together. It should be easy.

But romance is one of those things that is so easy to get wrong. It is so easy to go too cheesy, or too saccharine. (I’m sorry but I’m putting anything ever written by Nicholas Sparks here). We feel the compulsion to add a love triangle but doing that without it seeming both contrived and also a waste of time as she is clearly going to go with choice a) leaves us stumped (Twilight **cough** **cough**). And then there is the compulsion to add conflict. To add danger. Which can result in just ridiculous story-lines. See Divergent. See Twilight. And then there are the books where the romance storyline is meant to be background, it is meant to just be soft character development and yet somehow ends up hijacking the book and stealing the limelight (Doctor Who – Season 8 – and the title character wasn’t even involved in the romance *she grinds her teeth noisily*).

So when even the pros are struggling, how are we, the breakers-in, supposed to get it right? Well, there is no simple how-to to follow but there are a few easy steps you can take to at least help you along your way.

Romance Tips

1. Choose your players

Is this going to be a linear romance (which I’d recommend for background romances) or is this going to be trifecta? Or are we talking quadrophenia? If you are going to try for a love-triangle, do that from page one. Don’t realise when your book contract is renewed that you are running out of “they are so perfect for each other” plot and need to add a second man to the mix to eek out another three pointless books only to get back to the ending you wrote in book one because that was always the ending you wanted. It cannot be someone out of the blue. Or a random secondary character that you yank out of their mid-novel obscurity to drag them kicking and screaming into the limelight. The readers have to care about all involved for it to work.

2. Give them a ‘why’

“Because they want to be loved” is cliché and two-dimensional unless there is a back story that gives it depth. If I read another damn story about a ‘plain girl’ that steals the heart  of the ‘local hunk’ I may scream. Romance needs variety. In real life, love is not conventional. It doesn’t work like that. People get into relationships for all sorts of reasons. Love at first sight is rare (it does happen, I’ve seen it) but rare and these days makes people roll their eyes in books. Every character needs a motive for everything they do. It beds the romance, stops it being only surface deep and allows it to have real gravitas in your story. So whether she is an orphan who has never had someone and just wants to know what it feels like to be ‘loved’ or he is a serial playboy trying to go straight after his ways got someone hurt badly and so he is choosing the straightest arrow he can find, make them interesting. This is one of the many reasons Game of Thrones is so popular. The relationships might be bitter, and twisted, and often plain disturbing, but they are still 100 times more believable that Edward and Bella.

3. Don’t make it easy

Love is not simple. Love is not straight forward. So don’t write it that way. Let them fight. Let them hate each other at times. Give them conflict. Romeo and Juliet is a classic for a reason. But don’t feel the need to go Mills and Boon. I have known marriages that have honest-to-God broken down over the dishwasher. It is the small things that break people apart. Don’t look at conflict like a giant hammer. Look at it as a ream of tiny cracks.

4.Keep it natural

This is a rule in any kind of writing but worth repeating. Don’t have things happen for the hell of it. Readers can smell it a mile off. Divergent is a great place to look for things that happen for no good reason other than to set up forced ‘romantic’ moments. Some readers go for that but I’m not one of them, and I consider it lazy writing. Let the characters lead. Ask why at every step. Ask would he/she actually do that. And don’t let the plot be driven by the need to add romantic moments. Let the romantic moments take you by surprise. There are always moments. And if they surprise you, they will surprise the reader as well, making each moment more poignant, tender and stronger.

5. Be open to all eventualities

Because if you are, the reader is too. If you go into your romance story already absolutely decided on how it is going to end, the readers will feel it. It takes the shine off the romance. In this case, I refer to Hunger Games. I never felt like she was going to **spoilers** end up with Gale. It was clear from the start that Peeta was always going to be her eventual choice. The problem with that is you can never really convince the reader that anything else is going to happen. I knew Peeta was not going to die. Katniss too **spoilers end**. It was in the tone, in the inflections, you just sensed that happily ever after was coming. GRR Martin is the polar opposite, and in recent times, taken the theme a little too far in the other direction in my humble opinion, now just killing off his characters for some rather flimsy reasons that could be summed up somewhat easier with “because that’s what I do”. If you have a triangle, be open to both endings. Actually all three endings, be open to her ending up alone. Let the characters lead the story. I want to be on the edge of my seat. If romance is your leading story, you have to keep it alive by keeping the reader convinced that it may not happen. That there is a chance anything could happen. The Fault In Our Stars is a master class.

6. Keep it flawed

Another writing basic. No one is Snow White. No one is Prince Charming. No one is perfect. We fall in love because of our imperfections. So give her morning breath. Give him an inability to articulate his feelings. Uncertainty of self is not a flaw. It is a cliché. It is something everyone suffers from so don’t lean too heavily on it. The “oh he could never fall for someone like me” has been done to death. It bores readers. So give it depth. Same with looks. Everyone wants their hero to look like Dean Winchester but there is a reason Dean looks the way Dean looks and unless you are writing a soldier or a hero who spends a lot of time working out, people won’t buy it. So give them flaws. Give them big ears. A crooked nose. A weird laugh. Make them interesting. Again (and promise this is the last time I worship the Master but…) The Fault In Our Stars is a perfect example. Before they got Hollywoodised for the movie, Grace and Augustus were flawed. And when he likens her to Natalie Portman, it makes it all the more powerful because you realise that is how he wants to see her, that he doesn’t see all the flaws that we know she has.

7. Make them both better people for being together

This to me is the single most important thing. Love changes us. If they fall in love but at the end of their journey are still the same two people they were on page one, then the romance has been cheapened to a gimmick. Love has to be a journey. Romance, at the end of the day, is a very public form of character development. The pair at the end should be different people to the ones you started with. Their relationship, their partnership should have a personality of its own and they need to have grown. The boy becomes a man. The cynic learns to trust. The villain learns to love.

Writer’s Corner: First Chapter Advice

“When it comes to selling your book, the most important words you’ll ever write are those on page one.” –Jodie Rhodes, President, Jodie Rhodes Literary Agency.

So no pressure then?

Tips to Writing the Perfect Beginning

So… with the turning of another new year and the beginning of another twelve months of frantic writing, inventive procrastination and trying to build a place for myself in Authordom, I thought now might be a good time to go back to the start and have a look at beginnings. A lot of us, right now, are embarking on a shiny new project. We are going to be sitting down in front of that daunting blank page and think “now what”. 

First sentences, paragraphs and even chapters have never been my forté and yet they are so important. Most people decide in the first three pages if they want to read a book. So it’s a vital part of the book to get absolutely right. Even the pros struggle.

I recently visited the writer’s museum in Edinburgh where they have a copy of Harry Potter and the Philosopher’s Stone on display covered in notes from JK herself. The day I was there, it was page one that was on show and with it a confession from the lady herself that she was never happy with the first chapter. It’s well-known that she revised it many, many times but even now, she says she gets people commenting on it and she’s not necessarily inclined to totally disagree with their comments. If even JK Rowling can’t get this right, what hope is there for the rest of us?

Actually, I take this as a bit of a confidence boost. Here is an author who wasn’t completely happy with her beginning and yet, I think it’s fair to say, the book did alright despite it…

She does however note that she is rather proud of her first line. Bringing me neatly to element one…

1. the ‘Hook’ AKA the first sentence

There was a forum thread on the Camp NaNoWriMo community where writers were posting their first sentences. I remember reading some brilliant ones (‘Being dead is not as fun as they promise’), some less brilliant ones (‘When I woke up it was dark’) and some downright bizarre ones (‘I woke up this morning as a cat’). I remember looking at mine (‘It had been the first day of Spring’) and thinking, “oh dear”.

There is a lot of talk of hooks. As far as I can work out, it’s a balancing act. Yes you want it to catch people, but you don’t want it to stand out. The hook has got to fit in with the rest of the feel of the book. There is no point having the most literarily genius sentence ever written, tagged on the front of a Hunger-Games style novel as it just wouldn’t fit. You read a lot of posts about how to write the perfect hook and they often include wonderful descriptive words such as “acerbic, intriguing, bizarre, enigmatic, epigrammatic, poetic, unexpected” and all those are great things to keep in mind but don’t overload. If your book is not poetic in style then don’t swamp your hook with it. If your book has a matter of fact tone to it, a bizarre hook would be just that… bizarre.

For example, the hook “Have you ever wondered if cows go to heaven?” definitely fills a lot of the tick boxes. And if it is followed with a novel with a bovine theme and underlying feeling of discussions of philosophy on heaven and death, great. If it is followed by a romantic chick-flick style novel that never mentions said cows again, it is what I refer to as ‘a headline grabber’.

A trick I picked up a few years ago that works really well for me is starting a paragraph earlier. So wherever I plan to start the novel, I start writing from a moment earlier. It takes the pressure off that first hook. And then I chop away the unnecessary dressing at the front and at least have a starting place from which I can craft a hook that will flow a little easier into the book.

Some excellent hooks include:

“It was a bright cold day in April, and the clocks were striking thirteen.” George Orwell (1984)

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” Jane Austen. (Pride and Prejudice)

“A single line of blood trickles down the pale underside of her arm, a red seam on a white sleeve.” Kate Mosse (Labyrinth)

“When the doorbell rings at three in the morning, it’s never good news.” Anthony Horowitz (Stormbreaker)

A good general rule: try to include just a hint of trouble plus some kind of question/intrigue (advice from Les Edgerton, Hooked)

Some things to avoid include;

The weather. It’s cliché and overdone (that said, I’ve also seen books that use it excellently (as perhaps Orwell above), it’s just a bit of a taboo these days)

He/She woke up. Actions of the mundane hold no intrigue for the reader.

He/She looked in the mirror. It does work but it’s a bit of a cliché again. Such openings as “Rosie looked in the mirror and didn’t recognise the woman staring back at her” are a bit overused. It works in paragraph two or three but overuse has weakened it as an initial hook.

One final thing to note, the hook isn’t the be all and end all of your novel. If you can’t find one that fits, chances are your story doesn’t lend and so make your first paragraph your hook. Not all books have powerful hooks;

“Mr. and Mrs. Dursley of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.” JK Rowling (Harry Potter and the Philosopher’s Stone) – see what I did there…

And some books defy the rules;

“When I wake up, the other side of the bed is cold.” Suzanne Collins (The Hunger Games)… what was that they were saying about mundane activities…

2. the ‘Tone’

I hate books that start with an out-of-place action sequence just because it’s an exciting start. For example, someone tuning into Gossip Girl would not expect it to start with a car chase and proceeding gun battle. It doesn’t fit the style. The beginning of a book has to fit. The beginning has to be sharp and exciting but don’t force a sequence just to get that because it will feel contrived.

3. the ‘Moment’

Choosing where to start is one of those odd things. Sometimes it comes completely obviously and naturally, other times it is a real battle. A few questions to ask include:

Why now? What changes in this specific moment that makes it the beginning of a new story?

Why her/him? Why should your reader care about your characters and engage in their story? Choose a moment that shows your character off. Is she brave? Is he ruthless? Is she wise? Is he depressed? Show, don’t tell.

Why should I care? What about that beginning moment will persuade your readers to engage with your characters and be interested in reading their journey?

And things to avoid include:

The Humdrum. Reading about someone waking up in the morning is neither exciting nor gripping…. mostly. Confession, my latest novel, White As Snow, starts this exact way… twice. I’d like to think it works because the situation around her waking is anything but humdrum but I know it is a risk. Has it paid off? Answers on a postcard…

Long description. Personally, I disagree with this one. One of the things I love about old classics is that long beginning setting of the scene but in today’s commercial market this is looked down on as too slow. Descriptions of both characters and places in length are considered a bad choice for a beginning.

Pre-padding. Start with the action. Don’t describe the gun first. Start with the shot and work backwards.

4. the ‘Scene’

First chapters are about setting the scene and tone for a book. Herein I have some measure of disagreement with common instruction. I agree that first chapters laden with heavy description can be too slow but I think to say that it should be all pushed to a later chapter is too cut and dry. A sprinkler approach is the best one in my opinion. Don’t go for block paragraphs of description, but dribble it into the prose as you go along. Likewise with back story and exposition. Where you can, show, don’t tell. Readers want to be intrigued. Don’t hand it all to them in neat little packages but drip it across the dialogue and action, forcing them to work and thus get drawn into the world and the story.

I read some excellent advice that has stuck with me now and become my mantra when it comes to openings.

A lot of us like to think big. Like the first shot of a film, we love to start with that big wide pan shot and then slowly zoom in until we find a singular point of focus (as a general rule, our character). Set the scene, then find the action. First chapters should be viewed as the absolute opposite. Start with the smallest, tightest focus possible and slowly work out. Draw a reader straight to the centre of things and then slowly grow the world around them. Again, the prologue of Labyrinth by Kate Mosse, is an excellent working example of this style of opening.

First chapters are always going to be hard. They are those first impressions that will either make or break your book. And like everything else, they are subjective. The best advice I ever got was to get people reading. I send my first sentences, lines and chapters out to as many people as I can and ask them for their feedback. What tone are they expecting? What do they think of the character? Do they want to read more? What story are they expecting to read? As always, readers are a writer’s most powerful asset.

2017: A Writer’s Guide To A Productive Year

I think we can all agree that 2016 was a pretty rocky year for the world. It was the kind of year that you know your kids one day will be studying at school – and not for good reasons. Between the terrorist attacks, political meltdowns and saying goodbye to some of our most loved icons, I think 2016 will be a year a lot of people want to forget. Which leaves me conflicted because, actually, I had a pretty great year as a writer. I published a book (Check It Out); I not only took part in a literary festival but spoke on a panel as an actual real-life author (I have a badge to prove it and everything) and did so alongside Martina Cole!!; I finished another novel; completed both Camp NaNoWriMo and the main event herself; I even braved the wild and bewildering world of Instagram; and (for those fellow fangirls out there) I visited not one but two Diagon Alleys!!

I leave the last year behind with my head held high. I may not have achieved absolutely everything on my list but I did pretty darn well. I sat with a very satisfied smile on my lips when I opened my 2016 envelope on the 31st and realised, for the first time in a very long time, that I’d done myself proud and achieved a lot of the things I’d set out to do. It was only when I sat down to look to 2017 that I realised that put me in a whole new position.

How the hell do I top all of that?

I’m not going to lie. I sat there, staring at the blank page and felt overwhelmed. How the hell did I top that? I thought I’d pushed myself in 2016. I did things of which I never dreamed I was capable. The idea of taking a step further into the unknown and pushing those boundaries even harder is terrifying. It got me to thinking how I’d achieved all that in the first place. If I work that out, I can repeat it. Or that’s the theory right?

I decided to post it here because I figure I’m not the only one going through this. I talk to so many fellow writers who at this time of year are full of so much fire and determination, who want to achieve so much in the year to come but then talk to them the following December and fire has turned to barely glowing embers and determination has been worn away by a year of life getting in the way once more. I know this, because until this year, I saw this process on an annual basis in the mirror. So I thought I’d write out a blueprint so I don’t fall into old habits so here’s…

2017 resolutions

#Tip 1: Have The RIGHT People Around You

For me, this is the single most important feature. 2016 was a year I made amazing friendships. I launched myself into the local writing scene and have spent every moment since kicking myself for not doing so sooner. Being around other writers is like having caffeine pumped straight into my veins. I love it. The energy. The enthusiasm. The power of the ideas sat in that coffee shop at that moment. I love laughing over awful wordpuns when procrastinating. Or discussing the pros and cons of guns versus swords. I have learnt so much this year from the people around me. Friends. Family. Fellow Writers. Surround yourself with people who inspire you.

#Tip2: Be Passionate AND HONEST

An important step for me was getting over my fear to be passionate for writing and a career therein. It sounds simple but it can be one of the hardest steps to take. It makes me sad to say it, but admitting aloud that you want to be an author gets greeted with about the same level of cynicism as “mum I want to be Paris Hilton”. If you are going to reach your goals, first you have to admit to yourself, and the world, that you want it.

You have to be honest.

I was literally shaking the first time I had to stand up in front of people and admit that I was an author. More than that, that I want to be an author. That someday I want to quit my day job and be an author full-time. I am terrified of admitting it. Even writing it now, my fingers are resisting. The fear of failure, the instinct to cringe away from opening myself to personality assassination that normally involves the words “hopeless dreamer”, the uncertainty of it is overwhelming. But until I accepted what I wanted to do, I couldn’t go about making plans to make it happen.

At the local literary festival in 2015, I promised myself I would return in 2016 as a published author. That became a resolution when January came around a few months later. I was scared of the idea. Terrified actually. I had no idea if I had it in me. I felt like I had no idea what I was doing. But I drew up my to do list around that singular goal and, almost to my own surprise, come that same festival in 2016, I stood up as Maxi Bransdale, published author and it felt so good! 

Look in the mirror and be honest. What do you want for yourself as a writer? Is it a hobby or a career? Do you want to publish one book or a dozen? You cannot set goals and targets until you know what your endgame is and you cannot know that unless you are completely, and brutally, honest with yourself.

#Tip3: Take Risks

In every aspect. As a person. As a storyteller. As a writer. Travel Europe on a Vespa. Write the stories that make you blush, or cringe, or both. Tell the tales that when you try to explain the plot premise people raise speculative eyebrows. Put yourself out there. Stand up in front of a room full of strangers and declare yourself a writer. Say yes to things. Be bold. Be brave. Be uncompromising.

#Tip4: Know what you want to achieve

With your holistic goals sorted back at #2, it’s time to look at details. I think this helped me so much last year. I actually knew what I wanted to achieve from the outset and the rest of my resolutions formed the to do list to get me there. It changes everything. I had chance to plan things across the whole year. I knew what festivals were coming up months in advance so I could start making contacts and getting involved. I knew I wanted to publish my book so I sat down and worked out exactly what I needed to achieve to do that and could do the research and give myself the time I needed to finish it. Think in categories. How many words do you want to write this year? Is there a project you want to commit to finishing (and how do you define finished – the end, or fully edited, or submitted to agents, or published)? Is this a writing year or a publishing year for you? Both? Are you self publishing or traditional publishing? Now is a great time to ask these questions. Do your research and work out what is right for you. Is there an event you’ve always wanted to go to but never found the time? Is there a course you’d like to do? Do you have social media targets? Sales targets? Blogging targets? Be brutally honest with yourself and write down nothing less than you will feel satisfied with come December 31st.

#Tip5: Keep Reading

With writing comes its oft neglected friend, reading. I love reading. I am Hermione Granger. I was the kid that ran out of books to read in the library. But adulting is hard and sometimes life gets in the way. I have a bad habit of when I do have a free ten minutes, I always prioritise writing over reading. This year, one of my big targets, is to level that balance. Reading makes us better writers. They deserve equal attention. Goodreads is a great way to track your progress and share with other readers.

#Tip6: Keep it Achievable

You know when you are a kid and people ask what you want to be when you are older and responses tend to range from Premiership footballer to astronaut to prima ballerina? It is so easy to turn writing resolutions into a wish list. Problem with wishes is they are not always tangible or achievable. For example, one could target 500,000 book sales. However, I am self published and I am just starting out. I would love to sell that many books. Every author out there would love to. But setting a goal like that isn’t helpful. I set aims, not wishes. I hope to sell 500,000 but I aim to sell 10,000. Resolutions quickly become stressful and overwhelming if you make them too big. So keep them small. Life does get in the way so set yourself goals that allow for this. Some people will categorically disagree with me here. For some people, the “shoot for the stars” approach works. For me, and my personal advice, is still shoot for the stars, of course shoot for the stars, what is the point of life if we don’t, but use this checklist not as a place to list the endgame, use it as a place to list the stepping stones you need to achieve to get there.

#Tip7: Schedule

I’m one of those people who needs deadlines. I need something to be held accountable to. I used to think it was a personality flaw. That I was just less driven than those people who get stuff done without a ticking clock of impending doom. I’m not and it isn’t. I’m just different. My brain is wired differently. Personally, I blame school. My brain got so used to working to deadlines, it doesn’t know how to function without one.

So I write my writing resolutions down and I hold myself accountable to that half side of A4. Deadlines are still deadlines even if you give them to yourself. I work out what I want to have achieved by when. I actually have a diary specifically just for all my writing stuff so I can manage both my time and expenses throughout the year.

And the best part? You get to open that to do list on December 31st and tick your way down it with a big ole smug grin.

All that’s left to say is good luck 🙂 Cheers fellow writers and here’s to making 2017 our best writing year yet!!

Tips and Musings For Defining “What Kind Of Writer” You Are

There is a question that we as writers are often asked:

What do you write?

You’d think this would be a nice simple opener. It’s a natural response after “hi, I’m a writer” but I dread this question. Hate it indeed. For starters, it is impressively vague. I won’t lie – there have been times, normally at social gatherings that have inflicted upon me their prerequisite small talk, that I have flippantly responded “books”. Chances are, in that environment anyway, the other person is just relieved not to be forced into listening to a twenty-minute monologue on my latest bestseller idea. For the particularly judgmental (you know, the ones that raise their eyebrow and metaphorically pat us “struggling artist” types on the head), I reserve the wonderfully obtuse “words”.

(Warning: Rant in progress: If you want to skip my opening rant *cough* I mean musings, and go straight to the tips, scroll down to the main image)

But that is not the reason that I hate this question. I hate this question because it demands a specific answer and I just don’t have one to give. And for a long time, that made me feel like I was doing something wrong. It took a lot of soul-searching and depressing dinner parties before I realised that the flaw wasn’t with me, it was with the question.

Suppose for a minute that JK Rowling was posed this question (because yes, I suspect there are actually people living on this planet who have no idea who she is). How would she answer? “Urban fantasy fiction adventure novels for children”? Except well… by the end they are sort of for adults too. And then there is the play. Oh and that screenplay she helped on. Oh and those pesky Galbraith novels. Those are contemporary detectiving for adults. And I have absolutely no idea what to call The Casual Vacancy. Social Commentary? Human drama? A four-hundred page rant on why modern life sucks?

But you see my problem with this question and moreover the question generally where writers are expected to place themselves into nice neat three hundred word summaries. If we assume for the moment that the inquirer is not seeking the vague or obtuse, and something a little more expansive than “fiction” – then it demands that we, as writers, put ourselves in a definable category – not our books, but us as writers. To put a label on our lapel that makes us nice and conformist.

Writing just does not work that way.

I find this approach, amongst other emotions, highly amusing as the one thing writers are typically not, is conformist. And yet you see it again and again on advice on how to get published. Stick to a genre. Find your niche and stay there. Publishers like consistency. Which brings me onto my main topic –

How to answer "What do you Write"

It was something I was advised of right when I first started exploring publishing options and namely the so-called traditional route. Agents like consistency. Publishing houses really like consistency and marketing departments love it. They want writers to be a brandable commodity. Not just our books, but us as people. It isn’t enough to just write any more. You are the “Detective Smith author” or “Surreal Fantasy Novelist Mr Smith” or “the one that writes the war books”. We see it on covers all the times and hear it in interviews. We are boxed up before the end of the first sentence.

Now, of course, each individual book must have a clearly defined genre, but the author? Nora Roberts (JD Robb) and JK Rowling (Robert Galbraith) are not alone in creating entirely new personas to carry their crime genre books while writing fantasy under their given names. It is said we form our opinion of a person within the first thirty seconds of contact. Books and writers faster. We quickly become defined by our work until bizarrely it is our own work that is suddenly trapping us in a given genre and defining our future work. Arguably indie publishing has lessened this impact but whether we like it or not, it is something we have to think about.

So here are just a few common talking points to think about when considering genre and “what you write”…

1. Write What You Know:

This is an overused idiom you hear all the time in writing blogs and advice books. “Write what you know”. To me, this is a bastardisation of a more general idiom “Play to Your Strengths”. Most people (and I emphasise most because there are many writers out there who can change genre like clothes and do each with ease and finesse) have a particular genre at which they are strongest. For me personally it is fantasy. Why? Because I’ve been writing it for years and years. Because it is my favourite genre as a reader and viewer. Because I grew up on a healthy diet of local folklore and Disney. Or maybe just because I have an overactive imagination. My strengths (or so I’m told) are world building and a writing style that has a poetic, lyrical edge (not my phrase) to it. Both lend well to fantasy.

Sticking to one genre allows you to focus on your areas of strength. You are giving yourself a natural advantage and in the brutally competitive book market, we need every edge we can get.

2. Practice Makes Perfect:

Another idiom and a fairly self-explanatory one. The more you do something, the better you get at it. Writing is an art. It is not something learnt once and then applied. It is something that is constantly evolving. We are always learning and the best way to do that, is practice. Sticking within one genre allows you to spend time honing skills. Each time you try something and it doesn’t work, it makes the work that follows stronger.

3. Consistency boost Commerciality:

I touched on this above. At the end of the day, it is easier to sell yourself as a brand if you have one coherent message. Promoting a fantasy writer has a very different feel to promoting a crime novelist. Chances are you won’t really be able to discuss both in the same interview. They appeal to different audiences. A Sci Fi writer is going to be perfectly placed talking at a ComiCon but a Romance novelist is much better suited to bookclubs and female dominated events. The more genres you write across, the more work you will have to put in. Even if you don’t give yourself different personas, each marketing campaign will need its own personality, own audience, own requirements and demands.

Equally, beware of confusing the audience. People think in soundbites. “That Sci Fi dude” or “the one that does those Tudor books”. It sends a confusing message to go “Tudor book written by that Sci Fi dude”. Normally the first question will be “are there space ships?” It’s human nature. We are creatures of habit and routine. Be braced for a few “huh” faces.

4. Plot Bunnies Must Be Free To Roam

I don’t know about you but my plot bunnies are very definitely free range. They go wherever they want to. I spend half my time retrieving them from the most unexpected of places. I have started books on such basis as “I want to write something with a steam train in it” or “ooh a tiger, how cool would it be to have a tiger”. And for me, this is the joy of writing. It is the challenge of musing, “what story can I come up with that features a steam train” (ended up being a steampunk fanfic of Night Circus). Plot bunnies should be tamed only when they are given a home. But this does mean bunnies of all shapes and sizes, which can result in broad spectrum genres.

5. The Broken Record Phenomenon

Consider Jodi Picoult or Nicholas Sparks for a moment. When I picked up my first of each of theirs (My Sister’s Keeper and The Notebook) I loved what I found. The books were engaging and surprising and emotionally devastating. The writing was refreshing and innovative. So obviously, I reached for more. Nowadays, I rarely pick up either author. Why? Because I got bored. Now, I am aware I chose two authors who are particularly formulaic in their stories – with Picoult in particular, if you’ve read one, you’ve read them all – different story, different characters, different moral dilemma of the week but all the shock and awe is gone because you can predict each turn. As for Sparks, I go back to my favourite jpg.

Image not mine. Please click image to go to source.

They are both, very much, single genre writers. And very specific at that. They have found a niche and they are working it (to death). I’m actually somewhat impressed both are still coming up with new variations upon their themes. That is not to say, in any way shape or form, that their books are bad. They aren’t. They still write now with that same engaging, exciting voice they wrote then, my problem is I’m not surprised by them any more. I’m bored. I like books that surprise me. That’s what keeps me engaged. It isn’t enough for me to have just great characters and a strong story, that story will only be compelling if I can’t predict the ending from chapter three.

I should caveat this strongly though with the note that there are authors who stick with their thing and keep it fresh. For example, Torey Hayden has never (to my knowledge though I haven’t read her full back catalogue) moved away from her, what I like to think of as, “tortured children” model but each one I pick up still hits me with the full force of a sledgehammer. But I do think this is why I’m not a big fan of crime books, particularly series, as they get very formulaic. This is a very personal opinion but I regularly speak to other readers who have similar feelings, so it is something worth keeping in mind.

6. Hard to Break Free:

I go back to Ms JK for this one as she is a perfect, if heightened, example of this. She wrote Harry Potter. It became a global phenomenon and made her very famous. She became “the woman that wrote Harry Potter” but then the series ended but she still had other stories in her. She wanted to try new things. Now, I don’t think many would dispute her ability to write or come up with engaging stories but she felt the need to create a whole new persona to get her crime fiction launched. Now, yes, I know there are lots of contingency factors (like she wanted to be successful for her writing etc. etc.) and I do find it hilarious that some agents and publishers turned down the Galbraith novels – bet they are kicking themselves now – but I truly believe that at least part of this choice was her attempting to break free of the “Harry Potter” label.

Once you are known for something, it is hard to kick the stereotype. Things I’ve noticed over the years: it’s much easier to transition from adult to kids books than VV, particularly if you are trying to move from YA to A; fantasy and crime seem to be a popular/unpopular mix, with the most examples of authors writing under two names to cross that bridge; generally speaking, not always, but generally speaking, whichever genre comes second, does less well.

Again, there are always exceptions but just something to keep in mind when you are seven book down in an eight book fantasy series and suddenly you realise you want your next novel to be a spy thriller.

7. Practice Makes Perfect:

Yup. I know I’ve already used this one but I wanted to separate out the two variations as they directly contradict. This time, I mean it in the simple sense of if you don’t try something you’ll never know. If I only wrote fantasy, how do I know that actually I’m a secret regency romance genius but I’ve never given it a try? Plus the more genres you play around with, the more you hone different sides of your craft. Crime and thrillers are great for working on suspense writing. Sci Fi and Fantasy are the obvious choices for world building. Psycho thrillers are excellent for character work. The more you write, the more you can write.


This post was not written to draw to any particular conclusion. I have my own opinions but I think on this matter, it is up to each writer to decide where they sit and what is right for them. But whether you agree the debate should exist in the first place or not, I think the above are some things to just keep floating in the back of your mind. If you are writing for pleasure, then feel free to ignore this whole post, but most of us are writing with a commercial path in mind and that means turning ourselves into a brand. Whether we want to or not.

10 Motivational Quotes from Walt Disney To Get You To Happily Ever After (AKA Published)

This week I did something insane. Something I never thought would actually happen. Something I was pretty sure by the end the odds were never going to be in my favour for.

I published my debut novel!!!

White as Snow is officially on sale on Kindle and I can officially call myself a published author. In many ways, I just hit Happily Ever After. If this was a Disney movie, this is where the prince and princess would ride off into the distance as we fade out to credits while some Disney starlet we’ve never really heard of attempts to re-sing the signature song.

But I won’t lie. There have been days (months, nah scratch that, years) that I thought this day would never come. This book has been ten years in development. It has had four complete rewrites, most of the characters have changed name at least once, it even had a genre swap at one point – and let’s not even get into the sheer number of drafting and editing versions it went through. And on the days when I hit my low points, I needed all the motivation I could get.

Finally seeing the word “LIVE” on my Amazon bookshelf filled me with a mix of emotions. Ecstasy. Disbelief. Oh-My-God-What-Have-I-Done. But most of all, I felt pride. I felt a sense of sheer accomplishment. Even if the whole world hates it. Even if I never sell so much as a single copy. It is mine. I did it. It’s been a hell of a journey and I survived. I saw Happily Ever After and I did not stop fighting dragons until I got there. I might be bruised and scared, but I’ll tell you something, it was 1000% worth it.

Therefore it seemed only apt on the eve of my first great step into authordom and given my novel is indeed a fairytale retelling, that I turn to the Godfather of them All. The Master of Magic and the Man who proved Happily Ever After is out there for anyone willing to fight for it – Mr Walt Disney.

Disney is a huge part of what made me the writer I am. There is no doubt that my fascination with fairytales and all things magical came from a steady childhood diet of the best of the Mouse. And as I grew older, and came to appreciate things beyond pretty princesses and catchy tunes, I came too to admire the sheer craft of his unique ability to bring such startling storytelling from those around him.

In a very personal sense, his imagining (namely Walt Disney World Florida) is also to thank for me having the courage to pick this project up and take it from the (awful) story it was back then and turn it into the (I’m pretty proud of it) novel it is today. In my second year at Uni, I had the fortune of working in Orlando for three months in Magic Kingdom. I left the UK that summer just another graduate resigned on her path to a nice sensible little job in an office to pay the bills who didn’t even give her writing a second chance. I came back three months later a writer. A lot of that was to do with the amazing people I met out there but some of it was also about being inside one man’s dream. Though I always did find it heartbreaking he died before it opened. I remember sitting that day in induction training at the University of Disney (because yes there is such a thing – I have a diploma and everything) and thinking how terribly sad it would be for your dream to come true and you never knew it.

His background too, is inspiring. This is a man who came from nothing. The boy who used to do the paper round in worn out shoes in the snow. He was told time and time again that it wouldn’t happen. To give up on his dream.

But he never did.

Sometimes (when I really want to depress myself) I think about what the world might have been like if Disney had listened to the naysayers. If he had just thrown his hands up and gone “screw it” and given up on his little mouse. Whatever you may think of Walt (because trust me I know he wasn’t all candy floss and chalk paintings), his determination is one to be admired.

So here are my favourite Disney quotes – the words of wisdom that have kept me on track this past decade and remind all of us, no matter where we are in our journeys, that Happily Ever After is out there – we just have to keep fighting.

1. THE gentle reminder that imagination is not something only for children

Disney Quote2. the PEP talk we all need to hear every once in a whileDisney Quote

3. THE “Chill It’s not as bad as you think it is” Motto


4. THE remember why we do this in the first place reminder

5. THE “Anything is Possible” BOOST




7. THE “Get on with it” prompt


8. THE “BELieve in yourself” vote of confidence


Important to remember when you are staring at your draft in week three hundred and twenty-one and despairing.

9. THE disney equivalent of “if it doesn’t scare you, you aren’t doing it right”

Disney Quote

And the moral of the story. I am scared witless if I’m complete honest about the next phase of the journey I’m on. To use another old adage, we create our own luck. Happily Ever After isn’t an accident, it’s the result of years and years of hard toil, pain and tears. Never ever let it be said that writers aren’t courageous.

10. the Tribute

Finally, not a quote but I watched this documentary years ago and this final two minutes will always stick in my mind. I’d like to think Walt is out there somewhere and he can see that the vision that started as one man’s dream, is now one shared by the world.


All that is left to say is…

Have a Magical Day!!